Showing posts with label RapidShare. Show all posts
Showing posts with label RapidShare. Show all posts

Friday, July 6, 2012

Of Montreal - Paralytic Stalks

Release Date: 2012
Label: Polyvynil
Genre: Indie
File:OfMontreal Paralytic Stalks 2012.jpg 

  1. Gelid Ascent
  2. Spiteful Intervention
  3. Dour Percentage
  4. We Will Commit Wolf Murder
  5. Malefic Dowery
  6. Ye, Renew the Plaintiff
  7. Wintered Debts
  8. Exorcismic Breeding Knife
  9. Authentic Pyrrhic Remission

Friday, June 8, 2012

Liars - WIXIW

Released: June 4, 2012
Genre: Experimental Rock
Label: Mute

1."The Exact Color of Doubt" 4:07
2."Octagon" 4:38
3."No.1 Against the Rush" 5:10
4."A Ring on Every Finger" 3:18
5."Ill Valley Prodigies" 2:03
6."WIXIW" 6:12
7."His and Mine Sensations" 4:40
8."Flood to Flood" 3:30
9."Who Is the Hunter" 3:47
10."Brats" 3:02
11."Annual Moon Words" 2:37

Thursday, April 12, 2012

The Fratellis - Costello Music

Costello Music

The Fratellis


 1."Henrietta"  3:32
2."Flathead"  3:17
3."Cuntry Boys & City Girls"  3:31
5."Chelsea Dagger"  3:25
6."For the Girl"  2:48
7."Doginabag"  3:20
8."Creepin Up the Backstairs"  3:07
9."Vince the Loveable Stoner"  3:14
10."Everybody Knows You Cried Last Night"  3:54
11."Baby Fratelli"  3:56
12."Got Ma Nuts from a Hippy"  3:11

Wednesday, April 11, 2012

Johnny Flynn - A Larum

Johnny Flynn
Cover of Johnny Flynn

A Larum

Johnny Flynn

 1."The Box"  3:36
2."The Wrote & The Writ"  4:07
3."Tickle Me Pink"  3:11
4."Brown Trout Blues"  5:02
5."Eyeless in Holloway"  4:05
6."Shore to Shore"  4:23
7."Cold Bread"  3:29
8."Wayne Rooney"  4:18
9."Leftovers"  4:16
10."Sally"  3:35
11."Hong Kong Cemetery"  4:51
12."Tunnels"  3:08
13."All the Dogs are Lying Down"  4:13
14."Shore to Shore (Reprise)"  1:27 

Monday, January 30, 2012

Megaupload founder in copyright trouble again. New Zealand police finds Dotcom in panic room.

Hollywood needed to cast a villain for a movie about the fight against online piracy, it couldn’t have done a whole lot better than Kim Dotcom. The German computer programmer and founder of the online file storage service Megaupload lived larger than a James Bond foe. Dotcom, who legally changed his name from Kim Schmitz, lived in a $24 million mansion outside Auckland, New Zealand, and drove luxury cars with license plates that read “Mafia” and “Guilty.” The former hacker was convicted in the early 2000s in connection with one of the largest insider-trading scandals in Germany.

Now he’s in legal trouble again. On Jan. 20, New Zealand police arrested Dotcom with three co-workers as part of what could be the biggest criminal copyright infringement case ever. U.S. authorities have accused the four of willfully and repeatedly violating copyright law, alleging that executives knew of the illicit content on their servers and paid users who uploaded it. The New Zealand police say they found Dotcom in the mansion’s panic room with a shotgun at his side. Dotcom was denied bail on Jan. 25, although his lawyers are appealing, and faces extradition to the U.S. He could not be reached for comment.

The music and recording industries hope U.S. authorities make an example of Dotcom, whose company made $175 million in total revenue, according to the U.S. indictment. And that’s exactly what concerns the technology world—especially the online locker services that, like Megaupload, allow users to store data (pirated or otherwise) remotely and gain access to it anywhere. Many in Silicon Valley say the government’s case against Megaupload will scare away investors and entrepreneurs that would otherwise create the next Dropbox, a darling of the cloud storage industry founded in 2007 and valued at about $4 billion. “There’s a burning question about the collateral effects,” says Andrew P. Bridges, a partner at law firm Fenwick & West, which worked for Megaupload on an unrelated case. “I think the copyright industries are hoping to put cyberlockers out of business through intimidation.” Megaupload’s U.S. lawyer, Ira Rothken, has compared Megaupload to YouTube and says that the government is overreaching. “You have to balance the harm to copyright holders against the harm to society that comes from this terrible impact on the Internet infrastructure,” he says.

Other companies that specialize in cloud storage are distancing themselves from Megaupload’s lucrative business model. “This has nothing to do with what we do,” says Daniel Raimer, a lawyer and spokesman for the Swiss-based RapidShare service. Others have made changes to their service in the wake of the arrests. told users they could gain access only to files they uploaded themselves. blocked U.S. consumers from its service entirely. To some extent, this is what Hollywood wants. “I think this changes the calculus,” says Kevin Suh, a content protection executive at the Motion Picture Association of America. “Maybe copyright infringement isn’t as attractive anymore.”

Recording Industry Association of America Chief Executive Cary Sherman says that some services, like Dropbox, are clearly legitimate. But in between Dropbox and Megaupload is a huge gray area. In the U.S., the law that balances the interests of content owners and technology companies is the Digital Millennium Copyright Act (DMCA). According to the law, Internet companies get “safe harbor” and aren’t liable for any copyright infringement that takes place on their sites, as long as they don’t know about it and quickly take down copyrighted material once rights holders ask them to. So far, courts have given technology companies a wide latitude under the DMCA. Eric Goldman, a professor at Santa Clara University Law School who specializes in issues raised by new technologies such as cloud computing, says criminal prosecutions may be one way around the limitations of the DMCA, because the “safe harbors” protection doesn’t apply. “Cloud services have been increasingly confident that they’re protected by DMCA,” he says.

A related worry is that a crackdown on file storage services could scare away users. Megaupload may have hosted pirated content, but it also stored school reports and home videos that are now inaccessible. “Leaving aside whatever other consequences there may be, there’s a huge problem for customers of the online lockers,” says Fenwick & West lawyer Bridges. Studio executives say they’re interested only in businesses based on piracy, not legitimate players. “Our goal is to go after the worst of the worst,” says Viacom General Counsel Michael D. Fricklas.